France
has a wide variety of indigenous folk music, as well as styles played
by immigrants from Africa, Latin America and Asia. In the field of
classical music, France has produced a number of legendary composers,
while modern pop music has seen the rise of popular French hip hop,
techno/funk, and pop performers.
Music history of France
French
music history dates back to organum in the 10th century, followed by
the Notre Dame School, an organum composition style. Troubadour songs of
chivalry and courtly love were composed in the Occitan language between
the 10th and 13th centuries, and the Trouvère poet-composers flourished
in Northern France during this period. By the end of the 12th century, a
form of song called the motet arose, accompanied by traveling musicians
called jongleurs. In the 14th century, France produced two notable
styles of music, Ars Nova and Ars Subtilior. During the Renaissance,
Burgundy became a major center for musical development. This was
followed by the rise of chansons and the Burgundian School.
French classical music
Opera
French opera
The
first French opera may be Akébar roi du Mogol, first performed in
Carpentras in 1646. It was followed by the team of Pierre Perrin and
Cambert, whose Pastoral in Music, performed in Issy, was a success, and
the pair moved to Paris to produce Pomone (1671) and Les Peines et les
Plaisirs de l'Amour (1672).
Jean-Baptiste
Lully, who had become well-known for composing ballets for Louis XIV,
began creating a French version of the Italian opera seria, a kind of
tragic opera known as tragédie lyrique or tragédie en musique - see
(French lyric tragedy). His first was Cadmus from 1673. Lully's forays
into operatic tragedy were accompanied by the pinnacle of French
theatrical tragedy, led by Corneille and Racine.
Lully
also developed the common beat patterns used by conductors to this day,
and was the first to take the role of leading the orchestra from the
position of the first violin.
The French composer, Georges Bizet, composed Carmen, one of the most well known and popular operas.
Romantic Era & Hector Berlioz
Classical music era
One
of the major French composers of the time, and one of the most
innovative composers of the early Romantic era, was Hector Berlioz.
In
the late 19th century, pioneers like Georges Bizet, Jules Massenet,
Gabriel Fauré, Maurice Ravel and Claude Debussy revitalized French
music. The last two had an enormous impact on 20th century music - both
in France and abroad - and influenced many major composers like Béla
Bartók and Igor Stravinsky. Erik Satie was also a very significant
composer from that era. His music is difficult to classify but sounds
surprisingly ahead of its time.
20th Century
The early 20th century saw neo-classical music flourish in France,
especially composers like Albert Roussel and Les Six, a group of
musicians who gathered around Satie. Later in the century, Olivier
Messiaen, Henri Dutilleux and Pierre Boulez proved influential. The
latter was a leading figure of Serialism while Messiaen incorporated
Asian (particularly Indian) influences and bird song and Dutilleux
translated the innovations of Debussy, Bartók and Stravinsky into his
own, very personal, musical idiom.
The
most important French contribution to musical innovation of the past 35
years is a form a computer-assisted composition called "spectral
music". The astonishing technical advances of the spectralist composers
in the 1970s are only recently beginning to achieve wide recognition in
the United States; major composers in this vein include Gérard Grisey,
Tristan Murail, and Claude Vivier.
French folk music
Traditional
styles of music have survived most in remote areas like the island of
Corsica and mountainous Auvergne, as well as the more nationalistic
regions of the Basques and Bretons.
In
many cases, folk traditions were revived in relatively recent years to
cater to tourists. These groupes folkloriques tend to focus on very
early 20th century melodies and the use of the piano accordion.
Western France
The
West of France comprises the Pays de Nantes, the provinces of Vendée,
Anjou and Maine, and the Poitou-Charentes region. Traditions of
ballad-singing, dance-songs and fiddle-playing have survived,
predominantly in Poitou and the Vendée. Jérôme Bujeaud collected
extensively in the area, and his 2-volume work "Chants et chansons
populaires des provinces de l'ouest: Poitou, Saintonge, Aunis et
Angoumois" (Niort, 1866) remains the principal scholarly collection of
music and songs. In recent decades John Wright, Catherine Perrier and
Claude Ribouillault (amongst others) have done much to collect, analyse
and promote the surviving traditions.
The
Marais Breton of Vendée is noted particularly for its tradition of
veuze playing - which has been revived by the bagpipe-maker and player
Thierry Bertrand - and for traditional singers such as Pierre Burgaud.
Folk
dances specific to the West of France include the courante, or
maraichine, and the bal saintongeais. Bourrées in triple time have been
noted in the 19th century by Bujeaud, and more recently, in Angoumois.
Circle- or chain-dances accompanied by caller-and-response singing have
been noted in the West, and also in other regions such as Gascony,
Normandy and Brittany.
Notable
contemporary folk musicians include Christian Pacher and Claude
Ribouillault (Poitou) and the group La Marienne (Vendée.)
Central France
Central
France includes the regions of Auvergne, Limousin, Morvan, Nivernais,
Bourbonnais and Berry. The lands are the home to a significant bagpipe
tradition, as well as the iconic hurdy gurdy and the dance bourrée.
There are deep differences between the regions of Central France, with
the Auvergne and Limousin retained the most vibrant folk traditions of
the area. As an example of the area's diversity, the bourrée can come in
either duple or triple meter; the latter is found in the south of the
region, and is usually improvised with bagpipes and hurdy gurdy, while
the former is found in the north and includes virtuoso players.
Bagpipe and hurdy gurdy
The
hurdy gurdy, or vielle-à-roue, is essentially a mechanical violin, with
keys or buttons instead of a finger board. It is made up of a curved,
oval body, a set of keys and a curved handle, which is turned and
connected to a wheel which bows the strings that are stopped by the
keys. There is a moveable bridge, a variable number of drones and hidden
sympathetic strings, all of which can also effect the sound. Simpler
forms of the hurdy gurdy are also found in Spain, Hungary and Russia.
The
bagpipe is found in a wide array of forms in France, which has more
diversity in bagpipes than any other country. The cabrette and grande
cornemuse from Auvergne and Berry are the most well-known. These forms
are found at least as far back as the 17th century. Prominent bagpipers
include Bernard Blanc, Frédéric Paris and Philippe Prieur, as well as
bandleader Jean Blanchard of La Grande Bande de Cornemuses and Quintette
de Cornemuses. Frédéric Paris is also known as a member of the Duo
Chabenat-Paris, a prominent duo who use elements like mixed polyphonic
ensembles and melodies based on the bourrée. Bernard Blanc and Jean
Blanchard, along with Eric Montbel from Lyons, were among the musicians
who formed the basis of La Bamboche and Le Grand Rouge. It was these two
bands who did more than anyone to revitalize the traditions of Central
France during the 1970s folk revival. The festival of St. Chartier, a
music festival held annually near Châteauroux, has been a focal point
for the music of Auvergne and Limousin.
The
provinces of Morvan and Nivernais have produced some traditional stars,
including Faubourg de Boignard and Les Ménétriers du Morvan,
respectively. The Nivernais collector Achille Millien was also notable
in the early part of the 20th century.
Basque Country
: Basque music
The
music of the French Basque Country (east of the Basque Country) should
be considered against a Pyrenean cultural background. Up to recent times
and still ttun-ttun and xirula should be highlighted in traditional
folk music (especially in the province of Soule) as a tabor and pipe
like pair.
It's
worth remembering the role of Mixel Etxekopar or Jean Mixel Bedaxagar
as xirula players as well as traditional singers. Other popular
performers like Benat Achiary take up a more experimental approach.
These performers refer to a former tradition collected and restored by
figures like Etxahun Iruri (1908–1979) where singing improviser poets
(bertsolaris) played an important role in popular culture.
Unfortunately, this bertsolari tradition has come almost to a halt,
while some efforts are being made to restore it on new generations along
the lines of the "southern" tradition, i.e. of the Spanish Basque
Country.
Music
from the Basque Country nowadays caters to almost all the tastes of
music, with a wide range of music being played in Basque, from choral
music (Oldarra in Biarritz) to elaborate music bands (e.g. Bidaia) to
ska or hardcore trends, while it's much praised lately for the fine bare
voices that have arisen with the likes of Maddi Oihenart, Maialen
Errotabehere or Amaren Alabak, to mention but a few.
Music of Corsica
Corsican
polyphonic singing is perhaps the most unusual of the French regional
music varieties. Sung by male trios, it is strongly harmonic and
occasionally dissonant. Works can be either spiritual or secular. Modern
groups include Canta u Populu Corsu, I Muvrini, Tavagna and Chjami
Aghjalesi; some groups have been associated with Corsican nationalism.
Corsican
musical instruments include the bagpipe (caramusa), 16-stringed lute
(cetera), mandolin, fife (pifana) and the diatonic accordion
(urganettu).
Brittany
Music of Brittany
Distinctly
Celtic in character, the folk music of Lower Brittany has had perhaps
the most successful revival of its traditions, partly thanks to the city
of Lorient, which hosts France's most popular music festival.
The
documented history of Breton music begins with the publication of
Barzaz-Breizh in 1839. A collection of folk songs compiled by Hersart de
la Villemarqué, Barzaz-Breizh re-branded and promoted Breton traditions
and helped ensure their continuity.
Couples
de sonneurs, consisting of a bombarde and biniou, is usually played at
festoù-noz celebrations (some are famous, like Printemps de
Chateauneuf). It is swift dance music and has an older vocal counterpart
called kan ha diskan. Unaccompanied call and response singing was
interspersed with the gwerz, a form of ballad.
Probably
the most popular form of Breton folk is the bagad pipe band, which
features native instruments like biniou and bombarde alongside drums
and, in more modern groups, biniou braz pipes. Modern revivalists
include Kevrenn Alre Bagad and Bagad Kemper.
Alan
Stivell is perhaps the most influential folk-rock performer of
continental Europe. After 1971's Renaissance of the Celtic Harp, Breton
and other Celtic traditional music achieved mainstream success
internationally. With Dan Ar Bras, he then released Chemins de Terre
(1974), which launched Breton folk-rock. This set the stage for stars
like Malicorne in the ensuing decades.
In
later years much has been done to collect and popularize the musical
traditions of the Pays Gallo of Upper Brittany, for which the singer
Bertran Ôbrée, his group Ôbrée Alie and the association DASTUM must take
much credit. The songs of Upper Brittany are either in French or in
Gallo.
Modern
Breton folk music includes harpists like Anne-Marie Jan, Anne Auffret
and Myrdhin, while singers Kristen Nikolas, Andrea Ar Gouilh and
Yann-Fanch Kemener have become mainstream stars. Instrumental bands,
however, have been the most successful, including Gwerz, Bleizi Ruz,
Strobinell, Sonerien Du and Tud.
Popular Music
French popular music
The following text needs to be harmonized with text in French popular music.
The
late 19th century saw the dawn of the music hall when Yvette Guilbert
was a major star. The era lasted through to the 1930s and saw the likes
of Félix Mayol, Lucienne Boyer, Marie-Louise Damien, Marie Dubas,
Fréhel, Georges Guibourg, Tino Rossi, Jean Sablon, Charles Trenet and
Maurice Chevalier, Édith Piaf. During the 50s and 60s, it was the golden
age of Chanson française (Monique Serf (Barbara) Georges Brassens, Léo
Ferré, Charles Aznavour, Alain Barrière and Jacques Brel).
American
and British rock and roll was also popular in the 1950s and 60s, and
indigenous rock achieved some domestic success. Punk rock and heavy
metal found some listeners. Beginning in the 1980s, Les Rita Mitsouko
became very popular throughout Europe with their unique blending of
punk, new wave, dance and cabaret elements.
In
particular, electronic music, as exemplified by Jean Michel Jarre,
achieved a wide French audience. The French electro-pop duos Air and
Daft Punk and techno artists Laurent Garnier and David Guetta found a
wide audience in the late 1990s and early first decade of the 21st
century, both locally and internationally. Groups such as Justice, M83,
Phoenix and Télépopmusik continue to enjoy success.
Algerian rai also found a large French audience, especially Khaled. Moroccan chaabi and gnawa is also popular.
American hip hop music was exported to France in the 1980s, and French rappers and DJs, like MC Solaar, also had some success.
Chanson
Chanson
française is the typical style of French music (chanson means "song" in
French) and is still very popular in France. The most important classic
artists include of the Édith Piaf, Monique Serf (Barbara) Georges
Brassens, Léo Ferré, Charles Aznavour, Mireille Mathieu, Gilbert Bécaud,
Salvatore Adamo, and Jacques Brel plus the more art-house musicians
like Brigitte Fontaine. One of the most loved, respected and
internationally successful of all vocalist stylist of the 'chanson
Francais' is "Dalida". Also during the 1950s one of the more
representative of Montmartre cabaret singers was Suzanne Robert.
During
the 1970s, new artists modernized the Chanson française, (Joe Dassin,
Michel Fugain, Renaud, Francis Cabrel, Alain Souchon, Jacques Higelin,
Lavilliers, Alain Chamfort) and also in the 80s (Étienne Daho, Têtes
Raides) till now (Mano Solo, Matthieu Chedid, Benjamin Biolay,
Jean-Louis Murat, Miossec, Mathieu Boogaerts, Daniel Darc, Vincent
Delerm).
The
more commercial and pop part of "chanson" is called "variété", and
included artists including Francis Cabrel, Alain Souchon, Laurent
Voulzy, and Jean-Jacques Goldman. More recently, the success of the Star
Academy television show has spawned a new generation of young pop music
stars including Jenifer Bartoli and Nolwenn Leroy; and the superstar
status of diva Mylene Farmer inspired pop rock performers like Zazie,
Lorie and Alizée, and R&B-influenced singers like Nadiya and Ophelie
Winter.
Rock 'N Roll
In
the 1950s, Elvis Presley and rock and roll made inroads in the French
music scene. It produced stars like Johnny Hallyday, Richard Anthony,
Dick Rivers and Claude François, the popular yé-yé girls like Sylvie
Vartan and France Gall and some various music genre like Dalida, who
performed multi-lingual and ethnic styles like Italian style music in
50s; twist, pop and rock in the 60s (and later pop, disco, reggae, new
wave and rock in the 70s and 80s). These were popular female teen idols,
and included Françoise Hardy, who was the first to write her own songs.
Singer-songwriter
Serge Gainsbourg began as a jazz musician in the 1950s and spanned
several eras of French popular music including pop, rock, reggae, new
wave, disco and even hip hop filtered through his unique sense of black
humor, heavily laden with sex.
Though
rock was not extremely popular until the 70s, there were innovative
musicians in France as the psychedelic rock trend was peaking worldwide.
Jean-Pierre Massiera's Les Maledictus Sound (1968) and Aphrodite's
Child's 666 were the most influential. Later came bands such as Magma,
Martin Circus, Au Bonheur des Dames, Trust, Téléphone, Noir Désir, and
musicians Marcel Dadi, Paul Personne, Bireli Lagrene, etc.
In
the early 70s, Breton musician Alan Stivell (Renaissance de la Harpe
Celtique) launched the field of French folk-rock by combining
psychedelic and progressive rock sounds with Breton and Celtic folk
styles.
Progressive Rock 'N Roll
France
became one of the leading producers of prog rock in the 1970s.
Aficionados worldwide were enamoured by recordings like Ange's Le
Cimetiere des arlequins, Pulsar's Halloween, Shylock's Ile de Fievre,
Atoll's L'Araignee-Mal and Eskaton's Ardeur. Most well-known, however,
may be the band Magma, whose 1970 debut, Magma, used free jazz and
lyrical references to science fiction. The band later used Indian and
electronic styles
1980s
In
the 1980s, French rock spawned a myriad of styles, many
closely-connected with other Francophone musical scenes in Switzerland,
Canada and especially Belgium. Pub rock (Telephone), psychobilly (La
Muerte), pop punk (Les Thugs), synth pop and punk rock (Bérurier Noir,
Bijou, Gill Dougherty) were among the styles represented in this era.
Punk
rock had arisen in the 1970s and continued into the next decade,
perhaps best represented by Oberkampf and Métal Urbain. 80s progressive
rock peaked early in the decade, with Dun's Eros, Emeraude's Geoffroy
and Terpandre's Terpandre, all from 1981, representing the genre's
pinnacle.
Heavy metal
French heavy metal bands include Alaesna, Hacride, Eths, Dagoba, and Gojira.
France
also has a large black metal movement, including Deathspell Omega, Blut
Aus Nord, Peste Noire, Arkhon Infaustus and Antaeus, and the
organization known as Les Légions Noires made up of such bands as
Mutiilation, Vlad Tepes and Torgeist.
French House
French
house is a late 1990s form of house music, part of the 1990s and first
decade of the 21st century European dance music scene and the latest
form of Euro disco. The genre is also known as "Disco house",
"Neu-disco" (new disco), "French touch", "filter house" or "tekfunk".
The early mid/late 1990s productions was notable for the "filter effect"
used by artists such as Daft Punk. Other productions use more
mainstream vocals and samples. French house is greatly influenced by the
1970s Euro disco and especially the short lived space disco music style
(a European (mostly French) variation of Hi-NRG disco), and also by
P-Funk and the productions of Thomas Bangalter
The
first French house experiments (at the time called "disco house" and
"neu disco") became notable in the international market between
1997-1999. Daft Punk, Stardust and Cassius were the first international
successful artists of the genre and their videos show their "space
disco" roots.
The
mass international commercial success of the genre started in 2000
because of artists like Bob Sinclar, Etienne de Crécy and Modjo. Galleon
followed the next year.
Today
most French house bands and artists have moved on to other music
styles, notably a French variation of electro, that is danced on the
milky way/Tecktonik style.
French hip hop
Hip
hop music came from New York City, invented in the 1970s by African
Americans. By 1983, the genre had spread to much of the world, including
France. Almost immediately, French performers (musicians and
breakdancers) began their career, including Thony Maskot, Frank II
Louise, Max-Laure Bourjolly, Farid Berki, Traction Avant and Black Blanc
Beur. Popularity was brief, however, and hip hop quickly receded to the
French underground. Hip-hop was adapted to French context, especially
the poverty and violence of large cities known as banlieues ("suburbs")
where many French of foreign descent live, especially from the former
colonial countries (West Africa and Maghreb, Caribbean). If there is
some influence of African musics and of course American hip hop, French
hip-hop is also strongly connected to French music, with strong
reciprocal influences, from french pop and chanson, both in music and
lyrics.
Paname
City Rappin (1984, by Dee Nasty) was the first album released, and the
first major stars were Suprême NTM, IAM and MC Solaar, whose 1991 Qui
Sème le Vent Récolte le Tempo, was a major hit. Through the nineties,
the music grew to become one of the most popular genres in France with
huge success of the pioneers (IAM, NTM) and newcomers (Ministère Amer,
Oxmo Puccino, Lunatic). France is the world's second-largest hip-hop
market. The most selling rappers in the 00s are Diam's, Booba and Kenza
Farah with successful artists more underground like La Rumeur, la
Caution and TTC.
Raï
France has long had a large Algerian minority, a legacy of colonial domination of that country.
Beginning
in the 1920s raï developed in Algeria as a combination of rural and
urban music. Often viewed as a form of resistance towards censorship,
many of the conventional values of the old raï became modernized with
instruments, synthesizers and modern equipment. Later performers added
influences from funk, hip hop, rock and other styles, creating most
notably a pop genre called lover's raï. Performers include Rachid Taha
and Faudel. This time was when the music started getting popular among
the Maghrebi populace of France.
Originating in the lower-class slums of the city of Oran, raï shot to
the top of the French charts in 1992 with the release of Khaled's
self-titled album Khaled. Rai continues to be an identity marker, and
aided with the creation of the Arab identity in France. Social and
economic problems continue in the banlieus of France, and thus, the
verlan slang music will continue.
Raï
as a musical form has tonal differences that go up and down, and has
adopted beats that sound like pop. Much of the music is sung in Arabic,
and differ depending on the country where it has immigrated. In France, a
majority of raï music is a mixture of Arabic and verlan French.
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