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Monday, June 13, 2016

Tony Award

The Antoinette Perry Award for Excellence in Theatre, more commonly known
informally as the Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre. Several discretionary non-competitive awards are also given, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award. The awards are named after Antoinette "Tony" Perry, co-founder of the American Theatre Wing.

The rules for the Tony Awards are set forth in the official document "Rules and Regulations of The American Theatre Wing's Tony Awards", which applies for that season only. The Tony Awards are considered the highest U.S. theatre honor, the New York theatre industry's equivalent to the Academy Awards (Oscars) for motion pictures, the Grammy Awards for music, the Emmy Awards for television and AIAS (D.I.C.E. Awards) for video games. It also forms the fourth spoke in the EGOT, that is someone who has won all four awards. The Tony Awards are also considered the equivalent of the Laurence Olivier Award in the United Kingdom and the Molière Award of France.

From 1997 to 2010, the Tony Awards ceremony was held at Radio City Music Hall in New York City in June and broadcast live on CBS television, except in 1999, when it was held at the Gershwin Theatre. In 2011 and 2012, the ceremony was held at the Beacon Theatre. The 67th Tony Awards returned to Radio City Music Hall on June 9, 2013, as did the 68th Tony Awards on June 8, 2014 and the 69th Tony Awards on June 7, 2015. The 70th Tony Awards were held on June 12, 2016 at the Beacon Theatre.

As of 2014, there are 24 categories of awards, plus several special awards. Starting with 11 awards in 1947, the names and number of categories have changed over the years. Some examples: the category Best Book of a Musical was originally called "Best Author (Musical)". The category of Best Costume Design was one of the original awards. For two years, in 1960 and 1961, this category was split into Best Costume Designer (Dramatic) and Best Costume Designer (Musical). It then went to a single category, but in 2005 it was divided again. For the category of Best Director of a Play, a single category was for directors of plays and musicals prior to 1960.

A newly established non-competitive award, The Isabelle Stevenson Award, was given for the first time at the awards ceremony in 2009. The award is for an individual who has made a "substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations".

The category of Best Special Theatrical Event was retired as of the 2009–2010 season. The categories of Best Sound Design of a Play and Best Sound Design of a Musical were retired as of the 2014-2015 season.

For the purposes of the award, a new play or musical is one that has not previously been produced on Broadway and is not "determined to be 'classic' or in the historical or popular repertoire", as determined by the Administration Committee (per Section (2g) of the Rules and Regulations). The rule about "classic" productions was instituted by the Tony Award Administration Committee in 2002, and stated (in summary) "A play or musical that is determined ... to be a 'classic' or in the historical or popular repertoire shall not be eligible for an Award in the Best Play or Best Musical Category but may be eligible in that appropriate Best Revival category." Shows transferred from Off-Broadway or the West End are eligible as "new", as are productions based closely on films.

This rule has been the subject of some controversy, as some shows have been ruled ineligible for the "new" category, meaning that their authors did not have a chance to win the important awards of Best Play or Best Musical (or Best Score or Best Book for musicals). On the other hand, some people[who?] feel that allowing plays and musicals that have been frequently produced to be eligible as "new" gives them an unfair advantage, because they will have benefited from additional development time as well as additional familiarity with the Tony voters.

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